These Tools Won’t Break the Bank
Is it possible to produce professional
audio without blowing your entire engineering budget for the year?
I recently tried several audio
production applications that cost little to nothing. I narrowed our search to eight
contenders and asked a team of production engineers, using demos of these
programs, to produce spots.
In the July 13and Sept. 7 issues of Radio
World we looked at the first five. Here are three more, and some concluding
capabilities are nowhere near as easy or as precise as other programs tested.
Free — Audacity
I feel almost stupid complaining about
a free download, but Audacity is truly a case of getting what you pay for.
Its layout is similar to NCH Mixpad,
mentioned last time. While it did allow for more editing without an additional
program, the editing was nowhere near as easy or precise as the others. In
fact, any cuts in an audio track automatically rippled; meaning the audio to
the right of the portion being removed is butt-spliced to the audio to the left
of the edit. There’s no way to defeat this.
There’s no support for VST or DirectX
plug-ins either; no way to record additional audio onto existing tracks and MP3
encoding requires a separate download. Info: audacity.sourceforge.net/
Free — IK Multimedia Sample
Much more of a sampler than
an editor, Sample Tank is a lot of fun to use though difficult to download and
Let’s say you’ve already got an audio
editor but you’re looking for something just to create music or some fun
“zingers.” Sample Tank is a free, downloadable software sampler and VST
instrument. It operates as a standalone application or as a VST plug-in.
My biggest complaint was a rather
convoluted download process. Registration with IK Multimedia is required before
downloading (sort of like having to join Sony Acid Planet to get Acid Express).
Then the user is prompted to download the Authorization Manager, a separate
program which keeps track of what IK programs you have and whether they are
properly registered. Sample Tank cannot be used until the Authorization Manager
says it’s okay. This requires a trip to the IK website to find the User Area, and
the serial number for Sample Tank, which must then be manually entered into the
But wait! You’re not finished! The
enormous sample library is another separate download, and here’s the kicker; you
only have 30 days from the day you download Sample Tank to get the free
library. Otherwise, you have to purchase it.
Beyond that, it was a lot of fun to
use. It’s best used with a MIDI keyboard, as trying to trigger the notes using
the on-screen keyboard and a mouse, or using the PC keyboard, was awkward at
best. Info: www.ikmultimedia.com/sampletankfree/features/
$49/$39 — Goldwave/Multiquence
is attractive and relatively easy to use but its Multiquence partner is more
offers two separate programs that can work together, much like NCH Mixpad and
Wavepad. Goldwave is a stereo-only sound editor that is essentially a
Swiss Army knife for audio.
It includes several
built-in effects from basic EQ and filters to noise reduction and even some
very interesting effects like Mechanize, Doppler and Censor (for easily
replacing offensive audio with the tone of your choice). It’s attractive
and relatively easy to use.
Multiquence is a
basic multitrack recorder and editor. It also has basic video recording
and editing capability. Dragging and dropping audio clips (called “sections”
here) was pretty simple. Editing is rudimentary. For more surgical
editing, Multiquence can be configured to access the WAV editor of your choice,
such as Goldwave.
disappointment — and this is significant — is that it is impossible to EQ or
otherwise adjust the processing of a clip of audio in real time. To EQ a
track, for example, the user must first select the track, then select the
effect from the toolbar. This brings up a pop-up window to make the
adjustments. Here’s the catch: While this window is open, it is
impossible to play the audio; so there’s no way to adjust by ear! This limitation
also applies to third-party plug-ins. That’s a deal-breaker for me. Info: www.goldwave.com
So what’s the best value among our
Strictly based on price, you can’t beat Sony Acid Express (it’s
free!). The lack of effects and processing, however, might be off-putting for
I thought Acoustica Mixcraft ($69.95) had
the most value in terms of the all-in-one solution you get for the low price.
If you don’t need to produce music,
n-Track Studio ($64) or NCH Mixpad ($69.95) will get the job done, but be
prepared to sacrifice features.
Bottom line: Is it possible to produce
air quality audio for under $100? Absolutely. Granted, there were trade-offs;
and low price often means entry level. If you need audio production software on
a tight budget, you owe it to yourself and your station to do the research,
download the demos and see for yourself whether these options work for you.
Special thanks to WAWZ(FM)’s David A.
Dein and Izzy Knight and WNYZ(LP)’s Abel Sanchez for their contributions to
Curt Yengst, CSRE, is assistant engineer for WAWZ(FM) in Zarephath,
N.J . What’s your favorite production software and why? Write to