Over 60 years there have been fewer
than 20 scripted television series that revolve around radio. Most of us have
trouble thinking of any beyond “WKRP” or “NewsRadio” because there have been so
few successful televised comedies or dramas about radio.
Do you recall “Talk to Me” starring
Kyra Sedgwick as a perky New York talk radio host? It lasted a month on ABC before
it was cancelled in 2000. How about “Rhythm & Blues”? The 1992 NBC comedy
about a white DJ at an urban Detroit radio station aired for a month on
Thursday nights in the time slot right before “Cheers.”
The drama “California Fever” lasted 10
weeks on CBS in 1979, featuring a youthful Lorenzo Lamas as the owner of a hip
skate shop who housed a pirate radio station in his back room.
World’ was one of the first sitcoms about radio DJs.
Over half of the scripted series about
AM or FM aired in the late 1980s or 1990s, such as “Midnight Caller” and “Martin,”
probably spurred by the repeal of the Fairness Doctrine.
“Katie Joplin” was a month-long 1999 WB
failure in which the single mom of a teen boy moves from Knoxville to
Philadelphia and lands a job hosting a late-night talk show on FM rock station
87.5. It’s hard to say which aspect was the most unrealistic: the dial position
or the fact that a middle-age woman with absolutely no radio experience landed
a major-market gig.
Some of television’s biggest flops have
involved inept attempts to transfer radio to the small screen. Most notorious
is “Hello, Larry” with McLean Stevenson. This spin-off of “Diff’rent Strokes”
featured basketball great Meadowlark Lemon as the owner of a sporting goods
store and Kim Richards as one of Larry’s teenage kids (today she’s one of the “Real
Housewives of Beverly Hills”). “Hello, Larry” regularly makes the list of worst
sitcoms of all time.
A disastrous 2003 attempt on UPN called
“Rock Me Baby” was about two Denver morning show co-hosts; it starred Dan Cortese
as a limp shock jock married to a woman who has a flirty girlfriend. That
plotline was similar to 1967’s “Good Morning World,” a CBS sitcom from the
producers of “The Dick Van Dyke Show” about morning show co-hosts in Los
Angeles, one of whom is married to a woman with a ditzy girlfriend (played by newcomer
Only one WKRP
What have been the best representations
of radio on TV? That’s a question you can help answer at www.radioontv.blogspot.com. You can vote for your favorite scripted
radio series, the best radio-to-TV talent transition and the worst
representation of radio on the tube.
“WKRP in Cincinnati,” “NewsRadio” and “Frasier”
are the most often mentioned examples of successful television series about the
medium. WKRP reruns rarely are shown. When the first season came out on DVD
much of the original music was dropped due to licensing fees. Underground
copies of the entire series, with original songs, can be found online.
It’s amazing how accurate the CBS sitcom
was in portraying personalities that populate stations even today. Many radio
operations have their own versions of Johnny Fever, Venus Flytrap, Les Nessman
and Andy Travis. Real-life aging station managers inevitably get compared to the
fictional Arthur Carlson; schmoozing salesmen sound like they’re taking lines
straight out of the mouth of WKRP’s Herb Tarlek. Women’s roles in real radio may
have improved since 1982 but there are still Jennifer Marlowes and Bailey
Quarters to be found at many stations.
WKRP is the quintessential television
show about AM radio, and it went on to become one of the few programs to be
revived with new episodes in syndication. Not only did the 1991–93 spinoff
reunite many of the cast members but it provided answers to some of the
original series’ mysteries (such as the station’s frequency, which ended up
being 1530 kHz).
“NewsRadio” rode the growth of
news/talk stations in the 1990s with absurd storylines and physical humor.
Featuring performers such as Andy Dick, Phil Hartman and Jon Lovitz, the NBC
comedy had more edge than “WKRP” and often would spoof the medium, such as
picturing the characters in outer space.
Frasier was familiar to viewers as a
psychiatrist on “Cheers” when he made the somewhat strained transition to
Seattle talk radio personality. The NBC sitcom is not always thought of as a
“radio” show because it focused more on Frasier’s private life than the
workplace. But after 11 seasons it ended up being the longest-running fictionalized
series about radio in American TV history.
There have also been the occasional radio
station storylines on single episodes of TV series. I’ve found more than 150
television shows that have used radio for a single or occasional plot point.
For example, the “Saved by the Bell” high
school students ran music station KKTY, and Casey Kasem made two memorable appearances
on the Saturday morning show. The family comedy “Full House” turned lead
characters Jesse and Joey into the “Rush Hour Renegades” for a short time on
station “KFLH, FM 95.6.” Even the Brady Bunch used radio when they returned to
television as adults in the 1990 drama series “The Bradys,” in which little
lisper Cindy had grown up to become a music DJ (a role actress Susan Olsen also
filled for a while in real life).
Here are the lyrics to the theme song
of TV show “Hello, Larry,” according to the website www.sitcomsonline.com:
Well, Hello Larry (Hello Larry ...)
You talk to people all day for a living (Hello Larry ...)
But all those easy answers you are giving ...
Are you really living your life that way?
Portland is a long way from L.A. (A long way)
Hello Larry (Hello Larry ...)
The calls are comin’ in
Two kids to raise alone just ain’t that easy (Hello Larry ...)
The questions they are asking aren’t that breezy
The answers you are giving don’t always pay
But that’s the way it is with kids today
You better start to grin
’Cos you never know just what they’re gonna say
(Hello Larry ...) Hello Larry
(Hello Larry ...) Hello Larry
(Hello Larry ...) Well … Hello Larry!
Many big-name radio personalities have
attempted to transition to television in non-scripted programs but few have had
For every Larry King who moved his or
her radio personality to the small screen, there have been failures like Rick
Dees or Mark & Brian. While Sally Jessy Raphael succeeded on TV after being
fired 18 times in radio, highly-rated radio talker Dr. Laura Schlessinger
couldn’t make it on what she would call the boob tube. Howard Stern was able to
put a camera in his control room for a hit cable series but Rush Limbaugh had to
leave television when he lost advertiser support. Today Ryan Seacrest, Glenn
Beck and Dr. Drew Pinsky are among the few who are able to straddle radio and
Radio has had a much greater impact on
the small screen than numbers show by being a training ground for many major
television hosts. Television’s three highest-rated series (“American Idol,”
“Sunday Night Football” and “Dancing With the Stars”) are hosted by talent
trained in radio. Top syndicated hits like “Wheel of Fortune,” “Jeopardy” and “Oprah”
have featured stars who began in radio. Late-night TV is filled with former radio
personalities (Jimmy Kimmel, Carson Daly, David Letterman). Phenomenon Betty
White developed her skills on radio in the 1940s!
Even if there have only been a few scripted
series that successfully turned an audio control room into a video hit, radio has
still had a significant impact on television.
The author is
communication professor at Grand View University in Des Moines, Iowa.
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